The evil wizard Gargamel, enemy of the Smurfs, created by cartoonist Pierre “Peyo” Culliford in 1959.
Here’s another item that was buried sufficiently deep in a closet that it survived the house disaster… and a great photostatic keepsake it is. It’s the splash page and additional art from a Superman story I wrote — and for fans of the classic era of Superman, there’s no mistaking the drawing style. The artist is Wayne Boring.
Wayne’s history with Superman runs deep. He was hired as a ghost artist for the Siegel and Shuster (Superman’s creators) studio in the mid-1930’s, and eventually became the main, credited artist for the Superman newspaper comic strip. When Siegel and Shuster split from their comic book publisher, Boring was hired by that publisher as a staff artist and became one of the main artists for the Superman comic book line for decades thereafter. His style couldn’t have been more distinctive; his Superman figures were the ones who looked like they were jogging across the sky rather than flying.
Wayne Boring had long-since retired when I began writing Superman stories for Editor Julius Schwartz in the mid-1980’s.
Around that time,I was invited to stop in and give a talk at my alma mater, The Joe Kubert School of Cartoon and Graphic Art in Dover, New Jersey. I had attended the school in its earliest days and we alumni were frequently invited to give a progress report whenever we were in town.
One week from today, please come out and see me at the inaugural Queen City Comicon in downtown Cincinnati!
This one-day show is hosted by the same team who does Cincinnati Comic Expo, so I’m anticipating that it will quickly be known as the next great must-go-to Cincinnati show.
I’ll be meeting and greeting, signing, doing commissions and caricatures, selling art, all the usual fun stuff. Admission is a mere five bucks, so you have no excuses for not being there! Click the link!
Got these in the mail yesterday: The first two issues of a comic zine, The German Spider-Man, produced by my friend Peter Stangenberg, whom I first met at the Pittsburgh Comic Book Show in, I think, 2013. I LOVED finding these zines in my mailbox, as I so seldom receive stuff like this through the mail these days. Now it’s all online or down at the comics shop. But these take me back to my early fanzine-collecting days of Star-Studded Comics, Trumpet Magazine, Dallascon Bulletin, The Buyer’s Guide For Comics Fandom, The Comics Reader, Stan’s Weekly Express — all that stuff that had the smell of ‘homemade,’ the days before it all became too slick and institutionalized and the line between fan and pro became so blurred.
Anyway, Peter sent me these because I contributed some art for the April issue, and he was nice enough to feature me in an extensive interview for the August issue. My knowledge of the German language is nil, so reading the pages is a bit of a trick, but I love browsing and looking at the illustrations, and Peter’s love and enthusiasm for the subject matter comes through loud and clear. I have owned many of the comics, books and magazines pictured and discussed in the pages, so these issues of The German Spider-Man were a fun time capsule for me.
I’ll add additional links when I get them from Peter.
Jughead and Archie Jumbo Comics Digest #15 is in the stores currently, and for those who follow my work, this issue contains around eight of my Jughead stories — most of them illustrated by my trusty collaborator, Rex Lindsey, who always manages to get the most out of whatever humor is in the scripts with his linework.
Please note, there are a couple of incorrect credits on the stories in this issue, as is often the case in these digests. One of my Archie stories, “Unbalanced,” is incorrectly credited to my friend George Gladir. Sorry to saddle you with that, George! This story was drawn by Stan Goldberg, whom I only got the chance to partner with on rare occasions, and that’s probably a factor in how the credit got mixed up. This story has to do with a large piece of artwork, a metal mobile of the type designed by Alexander Calder. In this story, the artist’s name is Wilder.
And then I am credited with writing a story called “Showdown At the Mall,” which I did not write. The art on this one is by Doug Crane. To my knowledge, Doug and I have never been paired up on a story. I’m Guessing that George Gladir wrote this one. The title sounds like one of his.
Also of note is a story of mine called “Pop Goes Jughead!” I could count on the fingers of one hand the number of stories I’ve written where the plot was dictated to me by my editor, Victor Gorelick. But this is one of those. Victor had somehow ended up with a gadget that was designed to eat popcorn with — It was like a modified set of chopsticks — and he decided that a Jughead story could be written around the invention. He actually sent me one of these things to try out, and here is the story that resulted. In the story, I called them ‘Popcorn Pincers.’ I forget what they were known as in real life. Anyway, the Archie characters are such that you can give them any object and they can get into trouble with it for at least five pages, so no problem there.