Here’s a little background on ‘Christmas Never Sleeps,’ with thanks to my friend Marc Vargas, who asked! (Pictured above: The master loose leaf volume containing the entire works!)
I‘d had an interest in doing a year-long, Christmas-to-Christmas Santa Claus story for decades. I knew that there was a segment of young-at-hearts to whom Christmas is a year-long passion. I belong to a couple of such groups on Facebook. I’ve long been aware of year-round Santa attractions, such as Castle Noel in Medina, Ohio. There’s also Santa Claus, Indiana, where Santa receives his mail! Just up the tracks from me lies EnterTrainment Junction, which hosts a Christmas in July event that allows kids to conference call with Santa via Zoom.Continue reading Christmas Never Sleeps – Background!→
If you’ve met me at a comic convention, you’ve likely found me hard at work on caricature commissions. These are typically drawings of individual fans, or couples, reimagined as their favorite super-heroes or fantasy characters.
As the pandemic has squelched my convention schedule temporarily, I’ve been doing more of those commissions at home, through orders I receive via e-mail. So, it’s time I highlight that branch of my work here on the blog.
[NOTE: At the end of this blog I’ll give details about how you can Place an order for a caricature.]
Christmas Never Sleeps is my year-long cartoon epic that has followed Santa J. Claus daily since Christmas day, 2019, and will reach its conclusion on Christmas Eve, 2020. During the course of those 365 days, it continues to paint the icon in familiar broad strokes, but with quirky details that aren’t apparent during his usual once-a-year appearance.
My friend Ron Randall is conducting a Kickstarter campaign to issue his life’s work, Trekker, in a single, awesome hardcover edition. Check it out!
I’ve been sitting on the following interview for a few months, and now is a choice time to release it to the world. At the time we did this chat, the hardcover collection was not yet in the pipeline.
Craig:Let’s start with housekeeping. What’s your preferred path for anyone hoping to get immersed in Trekker? Do you want them to see the early stuff, the current stuff, or what, and where do they go to accomplish it?
Ron:You know, that’s not as easy a question for me to answer as it probably should be. I’m happy to have readers dive in wherever. Each story is built to work as a fine introduction to the character and the world, and each volume has a complete adventure– beginning, middle and end. I feel very strongly about that. So any book should work as a fine introductory experience. But, I also construct the series so that each story builds on what’s gone before, and also points toward where we are heading next. Like each individual story, I’ve designed the series as a whole to have a beginning, a middle and an end. The character of Mercy St. Clair, the world she moves in, and the scope and scale of things grows and deepens over the course of the stories. Mercy is shaped and informed by her experiences as she goes along, the stakes rise, and so on. And I do have an endgame that we are heading toward. Still quite a way to go before Mercy gets there, though. So a reader who starts from page one and works their way through the whole series experiences a powerful cumulative affect which, I am told, is pretty rewarding.Continue reading Ron Randall’s Trekker!→
As if to portend some new and exciting activity for my signature character in 2020, check this great character mash-up of my Tailipoe with the inimitable Mr. Monster by Michael T. Gilbert! It had to happen, as they say! Thanks Michael!
Stay on the edge of your seats for more about Tailipoe in the coming days and weeks!
There has been SO MUCH happening during the second half of 2019 that I’ve kept my focus on the drawing board, rather than here. But, it’s time to get back on-line, and over the coming weeks I’ll write about some of the projects and events that have kept me away from the blog.
Today, let me just mention that CuppaComics is the imprint I’ll be using for a variety of projects that I’ll be managing from the home office. Before long I’ll spin Cuppa off onto its own website, but for now this will work fine. With all that’s going on I don’t want to overwhelm myself, so, baby steps.